Marred and Mended, MFA Thesis Exhibition Installation View.
Rosenwald-Wolf Gallery, The University of the Arts
This body of work investigates emotional pain, touching on broader themes of absence, loss, and nostalgia. Through papermaking, printmaking, and bookmaking I explore how the past permanently marks us and the way in which every day losses, both small and large, accumulate over time. Considering different forms of damage and repair, I highlight the futility in attempting to conceal the past. Drawing from both a conceptual and process–oriented practice, my studio investigations focus on developing a visual language with which to address this pain and explore the markings of daily experience.
Trove (2015) Handmade paper, translucent Yupo, letterpress; 15 boxes each 8" x 6" x 0.75"
Raw (2015). Monotypes on waxed Hosho and Mulberry papers; 24.5” x 17.25”
Whitewash It Away II (2015) Offset printing, pressure printing, and screen printing; 11.75” x 17.25”
Palliate (2015). Monotype on waxed Hosho and Mulberry papers; 24.5” x 17.25”
Through and Through (2015). Waxed handmade paper and sewing thread; 10.75” x 8.5” x 0.5”